It has been over twenty years since Anton LaVey reminded the Devil’s followers that every grimoire has a secret, the remainder being mere padding that is inspirational at best if the secret is overlooked. Satan already knew that the secret of The Satanic Bible was the Balance Factor, the dark force in Nature, of course, but He figures it was a good idea of Anton LaVey to mention it, especially because everyone seems to have missed it to the degree of passionately intending to prove it wrong.
What Mr. LaVey did not tell my Evil Master’s followers is that another dark secret lurks within the pages of The Satanic Bible, a secret that has less to do with Satanism than with organizing and controlling the herd, making it a truly magical book. It is, perhaps ironically, a section that Mr. LaVey himself did not write and which the astute reader of The Satanic Bible may have noticed has changed between published editions. In addition to the price tag, that is.
The Satanic Bible contained an introduction by Burton H. Wolfe which was used in the 1969-1972 edition and in a revised version in the 1976-2005 edition when, for obvious reasons true to Orwellian standards of historical revisionism, Michael Aquino’s 1972-1976 introduction was removed by The Church of Satan‘s Ministry of Truth and henceforth not mentioned. The current edition of 2005- includes an introduction by Peter Gilmore. As you have probably realized by now, Satan thinks the second secret of The Satanic Bible is indeed its introduction.
Our Dark Lord realizes that His followers are often not the reading kind so He asks this subdued demon of yours to explain. Most introductions provide a review or a recommendation, an historical outline, perspective, or background. The introductions to The Satanic Bible do this to some degree, but all versions—least in Mr. Aquino’s version and most in Mr. Gilmore’s version—focus on the remarkable life of Anton LaVey. The introductions reveal that Anton LaVey was a carnival showman whose street smarts outperformed any businessman and whose observant eye of a con artist beat any psychologist. Working in forbidden careers, he saw the hidden truths of human nature and learned the secrets of mankind. He learned what could not be taught. He was a Satanist by example, the proto-Satanist that future Satanists would all measure up against.
At least that is what the introductions purport. The Devil would never wish to belittle our esteemed fellow denizen but in colder blood, Mr. LaVey was a school drop-out who never held a real job and huddled his way through life, was supported by his parents, never received an education, and eventually died in poverty, failing to be the embodiment of magical power that he is made out to be. He was a colorful figure in the brief, early heydays of The Church of Satan, but his days of glory lasted only few years. Now, Satan would like to emphasize that this is meant only to put things into perspective. The Prince of Darkness truly has the fondest feelings for Mr. LaVey, whom He believes was a grand person who deserved much better than he was granted in life, and the Devil wishes everyone to understand that in spite of LaVey’s failure to demonstrate an ability to practice as he preached, as it were, the road to Hell is in fact paved with good intentions, and Anton LaVey proudly walked down that road in the end. The Devil thinks that often it is genius that merely points the direction, and He does not require genius to also walk the talk: Maxwell never understood the implications of his equations, and Mozart received a pauper’s funeral. Satan fully acknowledges Anton LaVey’s contributions without requiring a convincing demonstration on his part.
This is all good or bad, depending on perspective, so let me, the Devil’s servant, explain the secret: the introduction serves to establish Anton LaVey’s authority as someone who could legitimately define Satanism. Anton LaVey was intelligent but he was no scholar who could draw on academic training and had no experience in scientific method and formal research; any scientifically trained eye can see this in how he argued and drew conclusions. He could not refer to any predecessor. He could not call on the blessings of a Devil that he did not believe in. In fact, he had no claim to authority at all and was forced to concoct a charming story to make himself seem interesting enough to warrant attention because all else would fail. Hence, he embellished his life story, omitting mistakes here and adding desirables there, turning a personal interest in music into an orchestral career and transforming a fascination with the Police into a formal employment in its grimmer departments. Borrowing feathers is one of the oldest tricks in the book on lesser magic, and it still works wonders: lacking all authority, Anton LaVey manufactured the story that he was a Satanist by example, thus making him worth paying attention to. He faked his resume to obtain an infernal mandate, and the The Lord of Lies granted it as an indisputable formality.
Some of Satan’s followers read the introduction of The Satanic Bible and nodded charitably when they effortlessly called Anton LaVey’s bluff, but they kept an open mind and were for the most part pleasantly surprised by Anton LaVey’s opinions and reflections and pardoned him his oversights, excessive generalizations, contradictions, and unintentional ambiguities throughout the book, just like they found his many tounge-in-cheek statements to be an enjoyable read. Depending on their education, they might have recognized that he lacked the necessary tools which a formal education would have provided him with and were able to fill in the blanks, read between the lines, and decide what to keep and what to discard. Satan thinks it is probably these readers who could discern between the truths and the lies in the book that Anton LaVey cautioned against in his preface, and who discovered the first secret of The Satanic Bible on their own.
Other followers read the introduction and were deeply fascinated with Anton LaVey to the point of describing him as the father they never had. Satan thinks that these people were rather had by Mr. LaVey instead. They judged the contents of The Satanic Bible not on the merits of thought but by their fascination with Anton LaVey’s made-up persona. They are a fan club, personality cultists, and herd matter. The more power to Anton LaVey, says Satan, and does not wish to share his thoughts about these followers.
Those who saw right through the yarns spun by Anton LaVey did not lose respect for him, mind you. Satan thinks they are probably accomplished magicians who recognized another warlock, just like a shrewd negotiator appreciates the skills of a bargaining colleague, and they smile wryly at the LaVey fan club knowing that one sorceror can bewitch the other.
Yet, the importance of Anton LaVey’s biographical narrative cannot be overstated, because it provides The Church of Satan with its only authority as an arbiter of the meaning of Satanism. The organization owns The Satanic Bible as its only authoritative document, and in turn its authority rests on its author possessing the authority to define Satanism, leaving The Church of Satan deeply dependent on Anton LaVey’s charisma; he is practically synonymous with The Church of Satan. Any erosion of Anton LaVey’s authority weakens the organization, and it is the reason why so many detractors of The Church of Satan target Anton LaVey when they attack the organization. It explains why Nicholas and Zeena Schreck, then in the Temple of Set, compiled their infamous “truth and legend” document about Anton LaVey: the document served to harm The Church of Satan by proxy by undermining Anton LaVey’s authority by sabotaging his narrative. Michael Aquino had claimed that the Devil had revoked Anton LaVey’s infernal mandate and in some sense, Mr. Schreck’s and Ms. LaVey’s document helped revoke the infernal mandate that Anton LaVey’ narrative had provided. Some of the statements in the document are merely accusational but a significant number of them are convincing, and Peter Gilmore, in his introduction to The Satanic Bible, found it incumbent on him to counter with an explanation that the list has some merit but did not overall dismantle Anton LaVey’s being a Satanist by example—his authority still being critically required.
The Church of Satan stresses that it is not the person but his teachings that should be considered, but Anton LaVey’s charisma permeated The Church of Satan from the very beginning and still lingers. One needs only visit its web site or listen to any interview to understand the importance of Anton Lavey’s continued presence in the organization. Satan realizes how this is going to sound, but He thinks it is always LaVey this and LaVey that, and wishes that His followers would think a little of Him, too. In 2018, Church of Satan aesthetics is still thoroughly inspired by Anton LaVey’s pre-1960es imagery, music, and standards of beauty, with everyone attempting to satisfy Anton LaVey’s personal taste as he described it. Peer recognition in The Church of Satan is gained through compliance with Anton LaVey’s showmanship genres: writing, painting, constructing dolls or sculptures, hosting some radio channel, playing music, etc. (sometimes even skillfully) but rarely by demonstrating accomplishments in the cerebral areas of teaching, scientific research and publishing, etc. that are outside of Anton LaVey’s demographic background. Intellectual display is still limited to the level of Anton LaVey’s unlearned reading which separates the cocksure student from those who know. The Devil doesn’t mind such lowbrow activites at all but would like to remind His followers that while such tactics have directed the decisions of which tavern to visit for a drink and a brawl, History is changed by magicians who are not stuck in the early last century.